The Library has a fully equipped conservation laboratory where the latest preservation technology is used to protect the Library's unique collections. The Library's conservation laboratory began operation in 1989, and expanded into larger quarters in 1993. The laboratory supports a wide range of physical treatment, from box-making to minor repair to full conservation treatment of materials from the Library's collections. Equipment includes a sink with a water filtration system for aqueous treatments, a fume hood for solvent work, an ultrasonic welder, a cast iron board shear, as well as equipment for hand bookbinding.
The Conservation Department undertakes a wide range of preservation and conservation activities on an ongoing basis. The most important of these is maintaining a suitable environment for storage of Library materials 24 hours a day, 365 days a year. Storage temperature is kept at 68 degrees F. and 40-45% relative humidity for all but the photographic materials, which are kept at 65 degrees F. and 35% RH.
Priority is given to the welfare of the collections as a whole, though individual treatments have not been neglected. The collections have been extensively surveyed in order to gather the information necessary for planning and decision making. Some of the projects which have been undertaken and completed, or which are still ongoing, include creating protective enclosures for fragile or damaged items which cannot be treated immediately (the Conservation Department creates on average over 2,000 enclosures of various kinds per year); repair and/or rebinding; full conservation treatment; aqueous and non-aqueous deacidification; preservation microfilming; facsimile reproduction onto alkaline paper; and polyester encapsulation.
Other activities include training Library and Museum staff in the correct ways to handle, clean, enclose, and shelve materials; consultation with the Acquisitions and Cataloging staff in making decisions concerning reformatting; the implementation of screening procedures to catch individual conservation problems in acquisition, in circulation, and during shelving; and assistance in the mounting of materials for exhibits.
The Library also has a long history of involvement in cooperative and regional activities, including membership in groups and organizations concerned with conservation and preservation, participation in and presentations given at conferences, seminars, and workshops, as well as contribution of articles to publications in the field.
Rhodes, Barbara J. Copy pencil. In: Media & techniques of works of art on paper New York: Conservation Center of the Institute of Fine Arts, 1999
----------. Before Photocopying: The Art and History of Mechanical Copying, 1780-1938 (New Castle DE: Oak Knoll Press and Heraldry Bindery, 1999). (with William W. Streeter)
----------. 18th and 19th century European and American paper binding structures: a case study of paper bindings in the American Museum of Natural History Library. The Book and Paper Group Annual Vol. 14:51-62, 1995.
----------. Consolidation of leather bookbindings with Parylene ‘N’: some observations. Leather Conservation News Vol. 10:30-33, 1994.
----------. Hell’s own brew: home book renovation from nineteenth century receipts to today’s kitchen chemistry; its legacy for preservation. The Paper Conservator Vol. 15:59-70, 1991.
----------. Preservation at the AMNH Library. Conservation Administration News No. 44:3, 27-29, January, 1991.
----------, ed.. Hold everything! A storage and housing information sourcebook (general editor) New York: METRO, 1990.
----------, ed.. Hell and high water: A disaster information sourcebook New York: METRO, 1988.
----------. The Columbia conservation internship. Conservation Administration News No. 28:9, 28, January, 1987.
Gennett, Mary. Conservation of research library collections at the American Museum of Natural History. Science and Technology Libraries Spring, 1987.
Root, Nina J. Preserving and maintaining museum library collections. In: Museum librarianship John C. Larsen, ed. Hamden, CT: Library Professional Publications, 1985.
Haas, Pamela. The conservation of photographic collections. Curator Vol. 26:89-106, 1983.
The key to extending the life of your books and papers is not necessarily in repairing them, but in preventing damage from occurring. More than anything else, preservation involves control of storage conditions, plus regularly checking through your collections to make sure no harmful situations have arisen (such as mold or insect infestations). If proper conditions are maintained, books and papers may last several times as long as they would have otherwise.
High humidity. Paper-based materials survive best in low or moderate relative humidity (RH). It also helps to keep the humidity as stable as possible. The AMNH Library keeps its books and documents at about 40-45% RH, but this may not be easy to achieve for a private collection. It is important to try to keep the RH below 65%, as after even a few days of humidity this high in a warm room (70 degrees Fahrenheit or above), mold may develop. Warm, humid conditions also encourage insect infestations. Books and papers should not be stored against outside walls, on damp floors, or anywhere they might be exposed to water. Basements and garages are usually not safe storage places for these materials.
Heat. High temperatures can be very harmful to paper, as they hasten its chemical deterioration. Generally speaking, the rate of this deterioration theoretically doubles for every 10 degrees Fahrenheit rise in temperature. The temperature in non-air-conditioned attics and garages in the summer months may well be high enough to damage books and papers.
Light. All light (especially sunlight and fluorescent light) is damaging to books and paper; it causes fading and contributes to some chemical deterioration. Typical results of light damage include fading, browning or other discoloration of pictures and documents hung on walls, and fading of book spines. Some materials are more sensitive than others, and will change noticeably in a short time if kept in bright light.
Rubber cement. This turns brown after a few years, and stains the paper; as the adhesive ages, it also loses its ability to hold things together.
Adhesive tapes. Any self-adhesive tape, such as "Magic Mending" tape or drafting tape may cause serious problems over time. For instance, mended paper which is weak may break along the edge of the tape used to repair a tear. The adhesives used can sink into the paper, staining it, and blurring some writing inks.
Rubber bands. These turn sticky, then hard. They will eventually break or worse, stick to whatever they are in contact with.
Paper clips. These make dents in paper, and can tear it when removed. They also rust.
Vinyl. This type of plastic is chemically unstable, and should be avoided when choosing notebooks, scrapbooks, and photograph albums. Inert plastics such as polyester (Mylar D, or Melinex 516), Polypropylene, and polyethylene are much safer to use.
Take steps to protect your materials from damage by fire, water, high temperatures and humidity, light, dust and soot, insects and rodents.
Use "archival quality" (acid-free, alkaline buffered, or inert) boxes, envelopes, file folders, plastic page protectors, etc. to store your documents. (See list of suppliers.) Keep acidic papers such as newsprint away from other materials.
Handle fragile materials carefully. Do not allow books on shelves to lean; once they become warped it is often impossible to return them to their original shape. Do not use books as coasters, doorstops, tables, or flower presses.
For those items requiring conservation treatment, consult a qualified conservator. You can find one in your area by calling the Conservation Services Referral System of the Foundation of the American Institute for Conservation, or by writing to the American Institute for Conservation, 1717 K St., N.W., Suite 301, Washington, DC, 20006. Phone: (202)452-9545, Fax: (202)452-9328.
Below is a list of companies which supply products for archival storage of books, documents, and photographs. This list does not constitute an endorsement of any company by the Museum or the Library. Catalogs are available from all of these suppliers. Not everything in these catalogs should be used on items of permanent value. If in doubt, especially about an adhesive product, consult a conservation professional, who can advise you on appropriate materials for various purposes.
Archival Products
P.O.Box 1413
Des Moines, IA 50305-1413
(515)262-3191 (800)526-5640
FAX (888)220-2397
E-mail: info@archival.com
Conservation Resources International
8000-H Forbes Place
Springfield, VA 22151
(800)634-6932
FAX (703)321-0629
Gaylord Bros.
PO Box 4901
Syracuse, NY 13221-4901
(800)448-6160
FAX (800)272-3412
Hollinger Corp.
PO Box 8360
Fredericksburg, VA 22404
(703)898-7300 (800)634-0491
FAX (703)898-8073 Toll-free FAX (800)947-8814
Light Impressions
PO Box 787
Brea, CA 92822-0787
(800)828-6216
FAX (800)828-5539
TALAS
568 Broadway
New York, NY 10012-9989
(212)219-0770
FAX (212)219-0735
(catalog is not free)
University Products, Inc.
517 Main St.
PO Box 101
Holyoke, MA 01041-0101
(800)628-1912
FAX (800)532-9821